ARTICLES


DISCOGRAPHIES:  THE GO-BETWEENS:  ALBUMS  |  SINGLES  |  SOLO:  ROBERT FORSTER  |  GRANT MCLENNAN

[UNDER CONSTRUCTION]


 

Articles index

1982

In between the Go-Betweens

1982

No shoe shops for Go-Betweens

1982

Send Me A Lullaby (review)

1982

King Trigger / The Go-Betweens

1982

The Gentle Three-Headed Monster

1982

The Go-Betweens / Laughing Clowns

1982

The Go-Betweens: Will this lullaby end their slumber?

1983

Orange Juice / The Go-Betweens

1983

Exiles from the lost Australian Dream

1983

The Smiths / The Go-Betweens

1983

Up From Down Under

1984

Money Can’t Buy You Love

1984

Remembrance and Visions of Hope

1986

Stars of the underground

1987

The Go-Betweens

1987

Of Skins and Hearts

1987

Power to imperfect pop

1988

The Go-Betweens

1988

Growing up gracefully

1988

Driving along Lovers Lane

1988

Love Notes

1988

You can go home again

1989

Go-Betweens aim to strike public chord

1989

The Go-Betweens

1989

Inbetween Days

1989

The Go-Betweens

1989

The Go-Betweens

1990

What you call change

1990

A Go-Between goes it alone

1992

Rock de Lux Questions the Go-Betweens Break-up

1992

Forster/McLennan: no Go-Betweens Reunion

1995

The Australian Go-Betweens Show: Forster Interview / Grant McLennan & Robert Forster at The Zoo

1996

Robert Forster, Grant McLennan and the Go-Betweens canon

1996

Gazing On A Sunny Afternoon

1996

The Go-Betweens

1997

Part Company — Again

1997

Interview with Robert Forster

King Trigger / The Go-Betweens
— University of London, 2 July 1982

David Dorrell — New Musical Express

OK Corral time stampeded its way into London, guns ablaze and hats cocked. The get your gun fever was here and stetsons bobbed in the saloon waiting for the big shoot out. Acting deputies the Go-Betweens took the stage in a threatening mood – intent on getting down under our skins and injecting some of that Australian red eye into our veins. Well that was the plan anyhow – the best laid plans of mice and men (and Sheilas ...)

The Go-Betweens seem to sweat for your despair – break backs for your depression – all down beat and low key – never open, never unlocking the heart. Three-piece bands work hard and fall hard – though in the case of the GB’s who keep tight – they never climbed high enough to fall. The moaning Hades-bound sound was like a bum version of Echo’s Disease – there was no soaring disquiet, no spirit lifting heart cry. The drums drove a tense but never tension mounting set into the barbiturate coma – pity searching but wallowing in its own grave thoughts; so dark that it was impossible to glean even a sinew of hope from the doom-laden corpse.